Showing posts with label tips. Show all posts
Showing posts with label tips. Show all posts

Tuesday, 3 January 2012

How to make a webseries (or anything) happen - Quieten The Lizard Brain

the99percent.com

Seth Godin: Quieting the Lizard Brain



Bestselling author and entrepreneur Seth Godin outlines a common creative affliction: sabotaging our projects just before we show them to the world. Godin targets our "lizard brain" as the source of these primal doubts, and implores us to "thrash at the beginning" of projects so that we can ship on time and on budget.

These quotes leapt out:

SHIP ON TIME rather than being a wandering generality.

What you do for a living (even webseries creators) is SHIP. You are not creative for a living. Everyone is creative.

Why do human beings sabotage their work?
The lizard brain.
It's selfish, hungry, scared and horny.

The resistance (to finishing a project) gets worse the closer we get to shipping.

The genius part is to get the lizard brain to shut up.

"I am really careful at the start of a project... to thrash it".


FULL VIDEO AND WEBSITE HERE HERE:-



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Monday, 2 January 2012

REMIX ISN'T THEFT - hitRECord.org - But is it a webseries?



Came across this web phenomenon, only after a few of years of trying to describe how people can collaborate on a series. It also proposes an answer to the question:
"How do you share 'points' or profits with contributors on works that are still evolving?"

-- They seem to call it The hitRECord Accord.

What is hitRECord?

HITRECORD.ORG is a project (Joseph Gordon-Levitt) started almost five years ago now, and in 2010, we evolved into a professional open collaborative production company. We create and develop art and media collaboratively here on our site. Even this introductory video is the remixed result of a great many contributions. So rather than just exhibiting and admiring each other's work as isolated individuals, we gather here to collectively work on projects together. Videos, writing, photography, music, anything -- we call them all RECords.

Now and then, when I think something we've made has come out especially well, I approach the traditional entertainment industry to turn our work into money-making productions; and then we share any profits with the contributing artists.

Are you RECording?
MORE HERE:- http://www.hitrecord.org/reel


What is hitRECord?




"Tiny Stories" Announcement



I've found one of the best ways to explain what we do here is just to show some of the "RECords" we've made together. So I've curated this small selection, many of which were recently screened at Sundance and SxSW. Now, the larger purpose of this place isn't merely to post and play the work of isolated individuals, but to collaborate as a community. So if you like what you see, check out our recently Featured RECords and Collaborations to join in and contribute to the next project.


JOSEPH GORDON-LEVITT on twitter


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THANKS!

Wednesday, 9 November 2011

Now you can have twitter writing tips that draw viewers to your #webseries




Okay, I admit it. I'm British.

Which geographically means I am uncomfortable at selling.

Which means I hate writing bold, provocative statements to drive sales.

But what I have noticed is that using the formula tweet and blog post headers below does tend to increase page views and drive traffic to the links...


So, wanted to link to these tips from http://www.copyblogger.com/10-sure-fire-headline-formulas-that-work/, if only to have one place where I could click to have some ideas for wording those tweets and blog post headlines.


1. Who Else Wants [blank]?
Who Else Wants a Great WordPress Theme?

2. The Secret of [blank]
The Secret of Successful Podcasting

3. Here is a Method That is Helping [blank] to [blank]
Here is a Method That is Helping Homeowners Save Hundreds on Insurance

4. Little Known Ways to [blank]
Little Known Ways to Save on Your Heating Bill

5. Get Rid of [problem] Once and For All
Get Rid of Your Unproductive Work Habits Once and For All

6. Here’s a Quick Way to [solve a problem]
Here’s a Quick Way to Potty Train Junior

7. Now You Can Have [something desirable] [great circumstance]
Now You Can Own a Cool Mac and Still Run Windows

8. [Do something] like [world-class example]
Speak Spanish Like a Diplomat

9. Have a [or] Build a [blank] You Can Be Proud Of
Build a Body You Can Be Proud Of

10. What Everybody Ought to Know About [blank]
What Everybody Ought to Know About ASP


Here are some more from http://www.copyblogger.com/proven-headline-formulas

1. Say it simply and directly.
No cleverness. No jokes. No wordplay.
- The Ultimate Tax Shelter

2. State the big benefit.
Transforming your major benefit into a headline.
- Get a FREE vase when you buy a dozen roses.

3. Announce exciting news.
The product or service doesn’t necessarily have to be newly created to qualify as news.
- Now program your DVR by simply speaking to the revolutionary DVR VOICE programmer.

4. Appeal to the “how-to” instinct.
The how-to must highlight the benefit or final result, not the process itself. Look at this example:
- How to make money working from home with your PC.

5. Pose a provocative question.
It must relate directly and clearly to the major benefit of the product.
- How do I know which mutual funds may be right for me?

6. Bark a command.
It’s not conversational, it’s dictatorial.
- Stop wasting money on Web design. Use InstaSite to create your own Web site in minutes.

7. Offer useful information.
What people really want is a sense of order and predictability in their lives.
- Free brochure shows you how to end your money worries for good.

8. Relay an honest, enthusiastic testimonial.
It capitalizes on the fact that people like to know what other people say.
- “It’s the first book on personal finance that really made sense to me.”

9. Authenticate your proposition with a little something extra.
Add a little something extra to your headline that seems out of place, yet rings true.
- Small Company’s New Golf Ball Flies Too Far; Could Obsolete Many Golf Courses.


And even more from here http://www.copyblogger.com/headline-swipe-file-3

1. Warning: [blank].
- Warning: Do You Recognize These 7 Early Warning Signs of Blogger Burnout?

2. How [blank] Made Me [blank].
- How Moving to Iowa Improved My Sex Life

3. Are You [blank]?
- Are You Ready to Learn Chinese for Your Next Job?

4. [Blank] Ways to [blank].
- 21 Ways to Live a Better Life With Less

5. If You’re [blank], You Can [blank].
- If You Love Scuba, You Can Dive Belize This Week Only for a Song!




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Monday, 7 November 2011

How do you convert a DVD file to a youtube video file? My favourite free video conversion software - Freemake

I was going to write a post about the fact that I archive stuff onto my DVD recorder. I was finding it hard looking for free converters that bounce them straight into files you can then upload to youtube...

I've put the initial trawl of free DVD conversion software below... but then I came across
http://www.freemake.com




The others listed below are good - the conversions work, but man, freemake is a dream.


The biggest problem I had was that my videos are in 16:9 widescreen FHA (Full Height Anamorphic).

This means the video files are regular TV aspect ratio 4:3, which means the video files were being kept and ripped as 4:3 files.

Freemake has an option to stretch to any size.
So I just take my "DVD quality 720x576" file, and convert it to 1024x576, making sure to check the "adjustment" setting to "Stretch".

It also allows you to edit your video into chunks, so you can cut off VT countdown clocks, or edit out segments before saving. And you can save at the same resolution, or convert to another size.

All the free conversion software seems to do this to greater or lesser degrees -- this one was just really easy to use.

Freemake Video Converter 2.1 from Freemake


And because I just wanted to know how to rip DVD to youtube videos, I've not even touched the other input and output formats it converts to...
(Output to AVI, WMV, MP4, MKV, FLV, SWF, 3GP, MP3 Rip DVD movie to AVI, WMV, MP4, MPEG, MKV, FLV, SWF, 3GP. Convert video to Flash and embed it directly to your web page. Convert video and audio files to MP3. Convert Free to iPod, iPhone, iPad, PSP, PS3, Android)


---

Here are the other converters I downloaded and tried...



MPEG streamclip
http://www.squared5.com/





Handbrake
http://handbrake.fr/





Quick Media Converter
http://www.cocoonsoftware.com



CLICK HERE for all posts labelled RECOMMENDED READING

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Finally, if you'd like me to email these blog posts to you directly, just click here to try it out!

THANKS!

Friday, 7 October 2011

How social media can make your webseries happen


Being the mayor of Whole Foods on Foursquare isn't going to make your
idea happen

Finding a new community, one filled with people who are already doing
what you want to be doing, will push you to accomplish it yourself.
But only if you jump in.

Think of your community as collaborators - not an audience.

Celebrate every person who celebrates you.

Don’t focus on the monetary aspect of a project too early - build your
brand and community because you love it, and success will find you.

MORE HERE:
It's Not About "Engagement": Using Social Media To Make Ideas Happen



CLICK HERE for all posts labelled RECOMMENDED READING

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Finally, if you'd like me to email these blog posts to you directly for free, just click here to try it out! THANKS!

Friday, 2 September 2011

Why free webseries will be successful? - Favourite Posts: Chris Anderson and Freeconomics


This is the last of my reposting some of my favourite webseries posts this month...

------
(Original "Chris Anderson: why free works" - post here)


Been meaning to link to this for ages - under the
Recommended Reading
label.



From wired.com:-
Once a marketing gimmick, free has emerged as a full-fledged economy. Offering free music proved successful for Radiohead, Trent Reznor of Nine Inch Nails, and a swarm of other bands on MySpace that grasped the audience-building merits of zero. The fastest-growing parts of the gaming industry are ad-supported casual games online and free-to-try massively multiplayer online games. Virtually everything Google does is free to consumers, from Gmail to Picasa to GOOG-411.

The rise of "freeconomics" is being driven by the underlying technologies that power the Web. Just as Moore's law dictates that a unit of processing power halves in price every 18 months, the price of bandwidth and storage is dropping even faster. Which is to say, the trend lines that determine the cost of doing business online all point the same way: to zero.
MORE HERE:-
http://www.wired.com/techbiz/it/magazine/16-03/ff_free


Free! Why $0.00 is the Future of Business




CLICK HERE for all posts labelled RECOMMENDED READING

CLICK HERE for all posts on web series FUNDING

CLICK HERE for all my FAVOURITE POSTS for webseries writers and creators


Finally, if you'd like me to email these blog posts to you directly, just click here to try it out! THANKS!

Monday, 29 August 2011

HOW TO ENGINEER MOVIE HITS - by Malcolm Gladwell - from my favourite posts

Reposting my favourite things through August - here's another - awesome video.

------
(Original "So Predictable" How to engineer a movie hit - post here)


Malcolm Gladwell on engineering movie hits

From The New Yorker:-
Malcolm Gladwell talks about success in the film industry and engineering hits. From the 2006 New Yorker Festival.
LINK HERE:-
http://www.newyorker.com/online/video/2006/10/09/predictable

Gladwell covers Dear Frankie, the Death of Diana, The Interpreter, and nobody knowing what constitutes the sublime.
And a great summary here from The Krieger Group:-
Several years ago, Malcolm Gladwell gave an interesting talk for The New Yorker Festival in which he reported on a group of researchers who had developed algorithms to predict whether a script could be developed into a hit movie. The researchers used a technique called neural networks to predict, based upon elements of the script, if the movie would be a box office smash. In fact, the researchers were able to predict the profitability of a movie accurately 6 out of 9 times, even before the director or cast was chosen. In several cases they were within several million dollars. Now 6 out of 9 may not seem great, but Hollywood’s record is poor; successfully predicting gross revenues on only 1/3 of their movies (after all, if they did not think it was going to be profitable they would make the film, unless its Woody Allen).
MORE HERE:-
http://thekriegergroup.com/blog/?p=18

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Friday, 26 August 2011

How to find names for your webseries characters - RANDOM NAME GENERATORS

Another re-post of a favourite, as I trawl through the storygas archives through August - How can you quickly trawl as many surnames as possible, or just generate character names for free?


------
(Original "Random Name Generator" post here)



This is more of a writing resource for myself.

You'll either find the next four columns extremely useful, or a complete waste of screen space.

Either way, they will be permanently linked with all the other WRITING RESOURCES in the sidebar down the right hand side. Suppose they could also work as first names, Christian names, or company names too. Over 1300 below.

Or, for another 300 names, try the 'last name generator' here:
http://www.geocities.com/simthingd2/surnames.html

Lister
Hawkins
Warren
Matthews
Hogarth
Knight
Atkins
Celliee
Muller
Ahmad
Dukes
Gerard
Fuller
Bradley
Smeeton
Boatman
Cripps
Mathias
Pearce
Galloway
Townshend
Harry
Jones
Mills
Mapes
Moore
Fraser
Delamarre
MacIntyre
More
Lawall
Oxley
Ferris
Warn
O'Donoghue
Charnock
Salisbury
Nisbet
Kinder
Barden
Cobley
Miles
Moorcroft
McMaster
Mayor
Hankins
Hosey
Bushnell
Sky
Coker
Ducon
Duvall
Cortes
Pigott
Pett
Bosher
Cunneen
Rodden
Gilfillan
Casson
Malton
Gledhill
Leahy
Palfrey
Tedd
Guilbert
Foston
Balderstone
Moult
Layden
Thornhill
Glacken
Allkins
Sommerton
Corran
Blinman
Ludick
Heighway
Ellam
Trennery
Noach
Reid
Springer
Blondel
Gartside
Wiglet
Paddock
Powney
Radnor
Keighley
Donagher
Garraghan
Beacon
Elling
Cockayne
Nettleton
Lingham
Ferwinckle
Candlin
Ainslie
O'Gorman
Braidwood
Filbey
Bass
Meryick
Hammond
Lotaris
Collier
Deadman
Champion
Breaknell
Muxworthy
Hayes
Dodkin
Gascoine
McMiven
Farre
Poultney
Murkin
Hardin
Cramman
Liston
Meehan
Stitchener
Crafter
Kettlewell
Wearing
Logg
Huntly
Deny
McDwing
West
Chang
Emmons
McManus
Trail
Whatford
Broadbent
Cherriman
Cole
Hopkin
Morrison
Metson
Christie
Chadwick
Joseph
Bailey
Goodman
Clegg
Nichols
Brann
Beaumont
Sopocko
Lockley
Pillay
Utton
Hardacre
Petticrew
Rand
Deehan
Eddison
Kanane
Kilroy
Templeton
Keynes
Darwin
Elliot
Rutherford
Seekings
Tolmay
Street
Burns
Mapp
Hartfield
Wenham
Chatters
Moreton
Bridge
Jewell
McWilliam
Pidgeon
Renwick
Mollard
Hamblett
Oram
McCormack
Snelson
Swales
Lanaway
Whitehall
Drohan
Hare
Haydon
Layland
Gorham
Chudley
Ross
Darby
Gallagher
Schleeter
Gordon
Pointon
Jason
Burke
Stockham
Whitby
Smale
Saylan
Jeffs
Fitzgerald
Kerry
Mayer
Clohesy
Magraw
Costello
Pyatt
Hields
Betchworth
Sergeant
Dumont
Heath
Hayman
Meltham
Seenan
Bibby
Johnstone
Chirchfield
Martin
Burnand
Sami
Cooley
Simmons
Murray
Huckle
Laver
Dale
WHetton
Cherry
Wardleworth
Paige
Lowman
Hawcroft
Kirkby
Chin
Bubbles
Pledger
Brannon
Baines
Craigen
Dermott
Campion
Lee
Thom
Thorman
Denton
Linn
Dodds
Bellars
Courtney-Evans
Parslow
O’Connor
Michel
Kacy
Ewin
Collyer
Bellis
Goodyear
Dearman
Godden
Kellie
Tonge
Barker
Jerome
Amstead
Wagstaff
Jowitt
Witchell
Binfield
Hoff
Barrass
Treanor
Duff
Tytler
Hallsworth
Hindle
Churne
Cromwell
Oates
Bank
Henderson
Cavanagh
Haylett
Lancashire
Buckenham
Braddick
Lumsden
MacKlam
Travill
BcGonagall
Stafford
Stockton
Warde
Rosenbloom
Jury
Samuel
Caddick
Turnell
Sugden
Blunden
Seager
Falsh
MacKey
Stead
Duffin
Soukal
Marriott
Chalcroft
Malas
Staniland
Reay
Ashley
Humprey
Trotman
Mynott
McCook
McLoughlin
Portrey
Hazelton
Rands
Gillen
Lack
Clapham
Dyball
Hastings
Dewey

Crossthwaite
Arnall
Emberey
Mabe
Sweeney
Kouma
Glend
Thirwall
Hargreaves
Ashdown
Abrams
Shearer
Jacques
Wakeham
Ferraby
Lockyer
Cliff
Burfitt
Ewart
Shelling
Sharma
Silverstein
Norbury
Hunter
Bobinson
Sproston
Gibbond
Wynne
Holgate
Harby
English
Cragg
Molloy
Grayson
Wallcraft
Hiddleston
Hamblin
Cuellar
Goldenfield
Ellison
Darlington
Hadiman
Stroud
Ulyatt
Mopp
Taggart
Lightfoot
Doleman
Fennelly
Carsley
Anness
Lyth
Faber
Stennett
Bentley
Bunston
Keal
McCord
Ruddin
Leeson
Elliman
Gowers
Medforth
Hollins
Pitcher
Sargent
Holroyd
Dent
Bosson
Corry
Svenson
Alldridge
Bruce
Barlow
Elliott
Holyland
Ganivet
Rosey
Feehan
Rodd
Cotterell
Albutt
Neill
Michagan
Shaye
Bourne
Probert
Messan
Burtle
Kilnan
Trent
Keery
D’Arcy
Cann
Corthorn
Willey
Modgill
Cadwallader
Cottingham
Elstone
McCade
Huetson
Heffernan
Goode
Wain
Munro
Hillyard
Goble
Tompson
Traynor
Marras
Cormack
Barwell
Selway
Picot
Bolden
Topley
Smaith
Sefton
Airey
Harken
Armsden
McGreger
Kingdon
Kore
McKelvie
Clack
Paines
Sellwood
Banks
Knowler
Elwood
Howes
Margitson
Eales
Wheatley
Rattigan
Flower
Lynskey
Fenton
Mennell
Upfield
Fogg
Corbishley
Waite
Whiting
Hambleton
Garton
Knighton
McBean
McGoff
McAree
Britnell
Full
Shea
McGuffie
Studd
Perrott
Hailwood
Welham
Bannigan
Furlong
Blackburn
Fielder
Lippeatt
Skillin
Houston
Tweddle
Barth
McGinley
Cordel
Ring
Dyer
Mussellwhite
Varndell
Stolliday
Fothergill
Will
Dornan
Razey
Stinson
Sulley
Tyler
Mundy
Benham
Conroy
Lahert
Sopp
Monson
Kennedy
Carleton
Lace
Swan
Mulholland
Abey
Southam
Trafford
Bullers
McDade
Pym
Chong
Dibble
Pyle
Conlan
Littlejohns
Bowles
Coop
Everitt
Toal
Malley
Sharrocks
Shiston
Busby
Waddell
Vale
Fitchett
Berry
Aleman
Hook
Aucott
Pilkington
Collard
Staron
Haney
Bebbington
O’Driscoll
Harris
Catlow
Dakin
Henville
Hussain
Hewson
Breen
Costigan
Adler
Innes
Acock
Frazier
Connelly
Brackstone
Penter
Tennant
Gardson
Seller
Kanber
Smullen
Cork
Downton
Band
Fulker
Haughey
Rogers
Pendleton
Castleton
Wallbridge
Bowden
Tang
Crook
Tobin
Nayler
Nicoll
Skerritt
Pinfield
Todd
Fordham
Catterall
Dummett
Bole
Underwood
Hallam
Healy
Heathcote
Dewy
Higham
Pandey
McBennett
Hinds
Forde
Dancer
MacRae
Hainey
Beggs
Curt
Myall
McCormack
Cotter
Stoker
Silva
Overfield
Reid
Twist
Sturney
Beeby
Whale
Burr
Ainsworth
Seemley
Loomes
Wares
Buttall
Crozier
Toomey
Bridden
Oaks
Asom
Guest
Axell
Apsey
Bayy Howitt
Redin
Pankhurst
Pearson
May
Buttle
Luckett
Gilbertson
Hastilow
Balke
Brune
Bonham
Alcroft
Bloom
Couldwell
Prince
Yapp
Dopson
Bolster
Goldsmith
Willcox
Gooding
Pringle
Murrell
Manton
MacLaren
Maddocks
Ryan
Chalmers
Wharram
Cottle
Brushette

Corris
Ebbs
Malyan
Abaraham
Dollard
Herd
McCairns
Laybourn
Smith
Wayman
Mogg
Bollard
Hoods
Denney
Alsop
Morgan
Barrass
Sells
Naysmith
Greensmith
Fosse
MacDonnell
Bartholomew
Kapoor
Vaughan
Lavery
Corne
Bradford
Stainton
Saxton
Weller
Cawley
Jaffray
Gallon
Wilkinson
Sills
Passingham
Hynds
Bergeron
Stockley
Kanes
Clements
Armitage
Orrell
Said
Topp
Roddam
Harl
Copeland
Schofield
Stott
Bestwick
Marwood
Sedgley
Trollope
Pleece
Lohan
Rook
Beedle
Doolin
Stewart
Bryant
McCready
Keith
Tipping
Hertey
Allcock
Carling
Horsefield
Descol
Keeling
Hove
Griffith
Meal
Shears
Jukes
Hunts
Aser
McCaw
Leal
Wiley
Khan
Stanway
Kearsley
Kearney
Watkin
Luxford
Handforth
Binks
Haunch
Renna
McNeill
Abrahams
Saville
Dunkley
Bellman
Hassani
Holledge
Delamere
Rollinson
Luft
Hayre
Handford
Buntain
Purdey
lipp
Berkely
Tufnall
Manher
Gover
Myddleton
Wales
McGlasson
Rosslington
Dawe
Purcell
Muhammad
Andrews
Cravey
Crisp
Sween
Leonard
Shedden
Britton
Inglefield
Gondal
Halley
Carey
Landing
Tolhurst
Short
Giles
Markey
Shalaby
Fryer
Griams
Burridge
Nevis
Tate
Ashurst
Hanger
Torin
Britt
Auberton
Grange
Timmer
Predergast
Kershaw
Peet
Emberson
Bosman
Wilmore
Banyard
Senior
Howard
Bowie
Faherty
Froy
Ritson
Brett
Wears
Coyle
Crabb
Render
Brattle
Redfern
Cusworth
Hedley
Woodhams
Durrant
Napier
Duke
Burdett
Millet
Lewin
Mardall
Brook
Lange
Driver
Tant
Hatherall
Griffin
Symmons
Banton
Hilbourne
Blakey
Ronflard
Mess
Casselden
Burgess
Wainwright
Storror
Blackmore
Robotham
Banning
Hobbs
Farrant
Bingham
Royle
Danes
Gillbanks
Gaffin
Robin
Ottley
Thelwell
Freebody
Tarbuck
Doyle
Hester
Mawson
Sears
Tosh
Hodgkins
Sillars
Dwyer
Lunness
Bicker
Burtin
Banford
Schirru
Russer
Scannell
Venables
Haynes
Jobson
Loxton
Martel
Cristy
Hennessey
Belmont
Michael
Waters
Cambell
Nood
Goatley
Salou
Broom
Kelk
Whittall
Merchant
Paine
Aylward
Harbour
Pridmore
Scud
Dermody
Steed
Nutt
Procter
Werner
Cadge
Moss
McNaught
Maudsley
Coulthard
Brace
Ansell
Bristowe
Bridgman
Carter
Coburn
Leslie
Greeman
Heward
Smalley
Coen
Oldfield
Coupland
Eastaway
Holcroft
Dallas
Graley
Briden
Knights
Loughran
Seer
Daley
Spruce
Davids
Matts
Illing
Lambert
Roach
Lass
Stoppard
McGillivray
Swingler
Pollock
Orman
Gardener
Stanfield
O’Boyle
Blakeley
McAllan
Barber
Wishart
Evrard
Reisser
Geeson
Holloway
Ledwith
Gruffudd
Sharratt
Mustang
Seago
Parkins
Ellingham
Hinman
Altham
McClory
Hustwith
Enright
Salthouse
Kyle
Corcoran
Bedlington
Macfarlane
Peat
Alam
Vickers
Spinks
Whiles
Barfield
Gidley
Picken
Bretherton
Garwood
Worth
Rafferty
Bartlett
Mennie
Rathmell
Crompton
Deane
Bostridge
Bean

Worburton
Peel
Solliss
Wakes
Paisley
Turke
Winlow
Deighton
Wiseman
Heritage
Gonzalez
Georgeson
Ottey
Rampton
Ashe
Tatnell
Gresham
Fenwick
Pollett
Cogman
Hiscocks
Blagg
Jennison
Challoner
Endroe
Gard
Westen
Brown
Reed
Cubitt
Crosthwaite
Lynham
Leese
Pendell
Suggur
Pomphrey
Hinch
Capper
Pole
Bains
Anley
Boatman
Goss
Dolman
Herron
McElroy
Bruwin
Bathard
Bellamey
Hemin
Thompson
Ellis
Gott
Falconer
Flintstone
Horricks
Lowe
Mansell
Horridge
Elliston
Vine
Woodhall
Wynn
Chisholm
Bunker
MacPhee
Ashwell
Jerry
Akingson
Beeman
Rothwell
Chowdrey
Lazenbury
Millsom
Cribb
Geoffroy
Salmond
Chappell
Killeen
Kinsey
Drewry
Whitley
Crowbar
Millar
Burg
Baskin
Towler
Mathieson
Miller
Meacock
Hundleby
Randall
Clelland
Tullett
Rutter
Devine
Eglin
Crutchley
Crampton
Woodrow
Kydd
Edon
Storer
Bryen
Cornell
Willetts
Garland
Le Tissier
Tinklin
Downier
Hasson
Crockford
Etherington
Wall
Yeoman
Elphick
Toseland
Wicks
Coughlan
Caswell
Carlsson
Sellars
Poulton
Gladwin
Maginnis
McMenemy
Giblin
Arter
Floss
Bowditch
Parratt
Cerveaux
Torrol
Malcolmson
Millward
Ingles
Pallister
Johns
Witts
Marlin
Syverson
Fallis
Ricard
Aspey
Wolfe
McIlwrath
Sapsworth
Roberton
Griggs
Plumpton
Hayles
Blaxley
Whomsley
Everson
Benton
Epton
Wilkshire
Calkin
Gaskell
Milns
Lapham
Peigne
Brandon
Tunks
Dempster
Hopton
Conyers
Matheson
Travis
Bowen
Devery
Sanders
Garbutt
Gallagher
Prentice
Cullingworth
Terrell
Bramald
Charlwood
Norwood
Tonner
Medlam
Cothier
Borill
Conte
Nevins
Halliday
Fiederling
Hart
Surgenor
Weeks
Grubb
Churchley
Althoff
Vardy
Keeley
Rodham
Bradman
Ware
McGlone
Bickle
Dorman
Emerick
Leaves
Scullion
Richer
Bannon
Kaur
Statter
Lonton
Sala
Reynolds
Beddows
Plumb
Bonnet
Danett
Keelan
Kumar
Colegrave
McGinn
Hepden
Mallender
Caulfield
Cunnington
Glassey
James
Borel
Yule
Merrett
Aikman
Handrie
Barry
Galert
Kipling
Leishman
Poulsen
Crane
Boardman
Swann
French
Sheldon
Asher
Pincombe
Skeggs
Jems
Binney
Foran
McGrevey
Steedman
Gresswell
Nickolls
Doone
Clifford
Devonport
Furnell
Best
Sladdin
Stokell
Lewington
Haycock
Aves
Proser
Stockwell
Rudd
McMillen
Garratty
Maynard
Applegate
Summerfield
Bellingham
Whalley
Redding
Finbow
Foden
Capel
Pooke
Budd
Tushingham
Collier
Billingsley
Clover
Nicolson
Holloran
Metcalfe
Lale
Cumpson
Sturman
Dingwall
Constantine
Lincoln
Stutton
Wardman
McGurran
Cockram
McCabe
Fagon
MacKereth
Durant
Avery
Walkden
Emmerson
Shurmer
Banwell
Downs
Spratt
Russ
Loftus
Lowen
Wythe
Martin
Olley
Hellewell
Truswell
Tyne
Cuffe
Curry
Bloggs
Nelms
Thonon
Shariff
McGlary
Knowles
Allardyce
Durber
Mortimer
Rolinson
Riley
Smiths
Edley
(HTML code for splitting this blogger post into 4 columns found here)
- don't know why that big gap appears above the lists though...

Technogeekboy said...
Generator Land also has a lot of tools for writers inluding name and character generators, town name generators, plot generators, etc.

http://www.generatorland.com

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Monday, 22 August 2011

HOW TO BE CREATIVE by Hugh McLeod - My favourite posts

Sorry if you have seen these posts before, but I'm reposting my favourite storygas links through August - because these are the ones I like the most (Plus, they seem to have disappeared from search engines after I lost my www.storygas.com URL)

----
(Original How To Be Creative post here)

How To Be Creative by Hugh MacLeod Hugh McLeod Hugh Maccloud Mcloud Huw

An end of year gift.

My favourite page on the Internet.

HOW TO BE CREATIVE by Hugh MacLeod.
So you want to be more creative, in art, in business, whatever. Here are some tips that have worked for me over the years:

1. Ignore everybody.
2. The idea doesn't have to be big. It just has to be yours.
3. Put the hours in.
4. If your biz plan depends on you suddenly being "discovered" by some big shot, your plan will probably fail.
5. You are responsible for your own experience.

6. Everyone is born creative; everyone is given a box of crayons in kindergarten.
7. Keep your day job.
8. Companies that squelch creativity can no longer compete with companies that champion creativity.
9. Everybody has their own private Mount Everest they were put on this earth to climb.
10. The more talented somebody is, the less they need the props.

11. Don't try to stand out from the crowd; avoid crowds altogether.
12. If you accept the pain, it cannot hurt you.
13. Never compare your inside with somebody else's outside.
14. Dying young is overrated.
15. The most important thing a creative person can learn professionally is where to draw the red line that separates what you are willing to do, and what you are not.

16. The world is changing.
17. Merit can be bought. Passion can't.
18. Avoid the Watercooler Gang.
19. Sing in your own voice.
20. The choice of media is irrelevant.

21. Selling out is harder than it looks.
22. Nobody cares. Do it for yourself.
23. Worrying about "Commercial vs. Artistic" is a complete waste of time.
24. Don't worry about finding inspiration. It comes eventually.
25. You have to find your own schtick.

26. Write from the heart.
27. The best way to get approval is not to need it.
28. Power is never given. Power is taken.
29. Whatever choice you make, The Devil gets his due eventually.
30. The hardest part of being creative is getting used to it.

31. Remain frugal.
32. Allow your work to age with you.
33. Being Poor Sucks.
34. Beware of turning hobbies into jobs.
35. Savor obscurity while it lasts.

36. Start blogging.
37. Meaning Scales, People Don't.
38. When your dreams become reality, they are no longer your dreams.

MORE (A LOT MORE) HERE:-
http://gapingvoid.com/ie/

HUGH MACLEOD'S SITE HERE:-
http://www.gapingvoid.com/

HUGH MACLEOD ON TWITTER

HUGH MACLEOD ON FACEBOOK



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Wednesday, 17 August 2011

Favourite posts: Dr. Horrible's Sing-A-Long-Blog - Joss Whedon's Online Comedy Musical...


Spending August revisiting some of my favourite posts and web series.

This one isn't a webseries - it was a one-off web event - which, in itself is an interesting take on how to use online release to create a buzz and possibly a community around your project?

---
(Original post here)

Dr Horribles Singalong Blog joss whedon josss weedon joss weedan

From wikipedia:-
Dr. Horrible's Sing-Along Blog is a 43-minute musical film, initially produced exclusively for Internet distribution. It tells the story of Dr. Horrible, the aspiring supervillain alter ego of Billy; Captain Hammer, his nemesis; and Penny, their mutual love interest.

The movie was written by writer/director Joss Whedon, his brothers Zack Whedon (a television writer) and Jed Whedon (a composer), and Jed's fiancée, actress Maurissa Tancharoen. The writing team penned the musical during the WGA writers' strike. The idea was to create something small and inexpensive, yet professionally done, in a way that would circumvent the issues that were being protested during the strike. On October 31, 2008, Time Magazine named it #15 in Time's Top 50 Inventions of 2008.
MORE HERE:-
http://en.wikipedia.org/wiki/Doctor_Horrible%27s_Sing-Along_Blog




So... What's it about, and why is it special?

From NewTeeVee:-
Dr. Horrible’s Sing-Along Blog, Joss Whedon’s web series, is a bold experiment in online distribution — the series will be available for free for just one week before becoming available on DVD and possibly download — but it’s also damn entertaining.

The tale of an aspiring supervillain told mostly in song, this WGA strike-spurred project treads an odd line between the professional and the amateur, making full use of Whedon’s considerable resources while still carrying a whiff of we-don’t-need-no-stinking-permits filmmaking. The end result is kinetic and inspired, while still bearing the trademark wit and pathos of a Whedon project.

MORE HERE:-
http://station.newteevee.com/2008/07/11/dr-horrible-preview-whedon-rocks-the-blog/

MORE ARTICLES HERE:-
http://www.drhorrible.com/press.html

SHOW HOME PAGE HERE:-
http://www.drhorrible.com/

OFFICIAL FAN SITE HERE:-
http://doctorhorrible.net/

From doctorhorrible youtube channel:
The story of a low-rent super-villain, the hero who keeps beating him up, and the cute girl from the laundromat he's too shy to talk to.

Starring Neil Patrick Harris as Dr. Horrible, Nathan Fillion as Captain Hammer, Felicia Day as Penny, and a cast of dozens!


AND HERE'S A SONG:-




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Wednesday, 27 July 2011

Lost creator JJ Abrams on How To Write For Mystery Shows - #webseries

Reposting this because it has disappeared from my blog search in my great storygas URL loss of '11

Original post here

----

Huge thanks to http://www.twitter.com/toodlepip of Chinwag.com for putting me on to this.

It's been up since January 2008, - but this isn't a news site, just a collection of useful cool stuff for web series writers, producers, and fans.

J.J. Abrams traces his love for the unseen mystery –- a passion that’s evident in his films and TV shows, including Cloverfield, Lost, Alias and the new Star Trek -- back to its magical beginnings.


From TED.com:-
So the amazing thing was, we were able to do this thing. And part of that was the amazing availability of technology, knowing we could do anything. I mean, we could never have done that. We might have been able to write it; we wouldn't have been able to depict it like we did. And so part of the amazing thing for me is in the creative process, technology is, like, mind-blowingly inspiring to me. I realize that that blank page is a magic box. You know? It needs to be filled with something fantastic.
MORE HERE:-
http://www.ted.com/talks/j_j_abrams_mystery_box.html

AUDIO AS MP3 TO DESKTOP:-
http://www.ted.com/talks/download/audio/125/talk/205

HERE'S ONE FINAL INSPIRING EXTRACT:-
The most incredible sort of mystery, I think, is now the question of what comes next. Because it is now democratized. So now, the creation of media is -- it's everywhere. The stuff that I was lucky and begging for to get when I was a kid is now ubiquitous.

And so, there's an amazing sense of opportunity out there. And when I think of the filmmakers who exist out there now who would have been silenced, you know -- who have been silenced in the past -- it's a very exciting thing.

I used to say in classes and, you know, lectures and stuff, that -- to someone who wants to write, "Go! Write! Do your thing." It's free, you know, you don't need permission to go write. But now I can say, "Go make your movie!"

There's nothing stopping you from going out there and getting the technology. You can lease, rent, buy stuff off the shelf that is either as good, or just as good, as the stuff that's being used by the, you know, quote unquote "legit people."

No community is best served when only the elite have control. And I feel like this is an amazing opportunity to see what else is out there.


And here's one of the videos J.J. Abrams plays in his presentation: car chased by a plane on the road.





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Monday, 25 July 2011

Webseries Storytelling - The Ludic Marker (Letting your fans know its a web series?)




Via the awesomeWebSeries Today
Great blog post on this very specific aspect of online storytelling, written by Tom Liljeholm
The uncanny valley of Transmedia Storytelling

The ludic marker was a way to inform participants that they were taking part of something fictional. There were three main ways to create a ludic marker;

•The popup disclaimer, leaving websites themselves intact and ‘unharmed’ by the not-so-seamless conducts.

•The constant marker, putting a symbol, logo or other common denominator on all pages and content, making sure that when participants understood that they were in fact playing a game, they would not have to doubt weather or not new content was a part of the experience or not.

•The spectacular setting, where the story was simply so unbelievable that it had to be obvious that it was not real.

I have seen a growing trend of making transmedia experiences ‘seamless’. A lot of people seem to think that immersion can only be achieved when people actually think that a story is real. I am here to tell you why you are wrong and why that is bad.

MORE HERE:- http://tea4twoentertainment.tumblr.com/post/6520633671/the-uncanny-valley-of-transmedia-storytelling

Tom Liljeholm on TWITTER @tomliljeholm

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Thursday, 21 July 2011

Augmented Reality - AR at the Sheffield Childrens Media Conference 2011 #tcmc




AUGMENTED REALITY
Combining live video feeds (eg webcam) with computer code to generate the AR.

Got some great links to examples of Augmented Reality at the Sheffield Children's Media Conference 2011 #tcmc...

AUGMENTED PLANET BLOG
http://www.augmentedplanet.com


@scottboxx on Augmented Reality: "Dont bother doing an AR app without including a save, send or share option"- Here are some links he put us on to:



Zooburst - 3D books you hold and turn
(StoryGas blogpost here)
http://www.zooburst.com




GI Joe Dojo - video yourself fighting
www.gijoedojo.com





Word Lens - LIVE text translation through your cameraphone
www.questvisual.com


Introducing Word Lens




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Wednesday, 20 July 2011

comedysale​.com - Is this a UK based web comedy series? #webseries



While we're all wondering how to monetise web content... have a look at how Sanderson Jones is web-contenting his monetised live event.

Maybe we could technically look at this as a form of web series?

It's a blur between the brand and the content - the idea is the content.

FROM www.comedysale.com
Hello I’m Sanderson Jones, and this is the first step in my mission to personally sell all the tickets to a massive gig in October. The idea started at the Edinburgh Fringe festival last year, when I sold tickets to my own stand up show on the street. Having once been a door-to-door salesman in the South of France (considerably less like a porn film than you’d think), chatting to festival goers enjoying themselves in the sun was a cinch and, even better, was playing to a crowd of folk I’d met before.

Doing gigs where I’d personally begged/persuaded the vast majority of the audience to come, crossed some weird boundary of intimacy (not weird like that). Clearly mystical juju takes place when the balance of power is altered, like a million souls crying out at once. As the festival continued a few thoughts coalesced into this idea (creativity in action!): if I could sell that many tickets to 25 shows, wouldn’t it be even more ridiculous to sell all the tickets to one big show?

Yes. Yes it would.

MORE HERE:- www.comedysale.com

ComedySale.Com: An Introduction



This is me explaining ComedySale.Com. It's part-website, part-mission as I try to personally sell all 500 tickets to a one off stand up show (performed by me) at the Union Chapel. I have to personally sell all the tickets: no internet sales, no venue sales, no phone sales.

Sanderson Jones on TWITTER @comedysale

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Monday, 18 July 2011

MUVIZU - Free 3D animation program for non artists/animators

Came across this at the Sheffield Children's Media Conference 2011 #tcmc...



FREE download software that allows anyone(!) to make their own 3D CG cartoon.

http://www.muvizu.com

Can't animate? Won't animate? No problem
- Make animated clips in minutes, or maybe hours, but definitely not months
- Post directly to YouTube from within the app
- Make characters lip-sync to your dialogue tracks

We set out to create software, free for non-commercial use, that would allow anyone with decent hardware to create 3D animated videos. They wouldn't need expensive software and they wouldn't have to spend a few years in college learning animation - and then take further courses in modelling and rigging.

Direct, don't animate
Upload dialogue and direct your actors' performances. Just tell them: "Give me anger", "Give me joy", "Give me fear". With Muvizu 3D, you're in the chair.

Muvizu 3D has thousands of blocks and props to scale and customise. Upload your images and video to incorporate into the scene.


Muvizu Trailer




Tutorial 02: Muvizu basics




Tutorial 06: Creating characters




GHOST HOUSE (made with Muvizu)

Ghost House Ep1: The Phantom Premise (Muvizu/Unreal Engine 3 Machinima)




Ghost House EP 7: Red Ring of Death




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Thursday, 14 July 2011

On how to write a hit song... how does it apply to writing a hit web series?



Saw this article by Helienne Lindvall in the Guardian

http://www.guardian.co.uk/music/musicblog/2011/jul/14/how-to-write-a-hit-song


This might be wrong, but a few key sentences leapt out.

"Most people don't realise that, even for successful writers, the good-v-great ratio is low: Guy Chambers (songwriter behind Robbie Williams's best-loved anthems) has written more than 1,000 songs in the last 15 years..."

So that's 1000 songs in 15 years.

= 66 songs per year.

= 5.5 songs per month.

= about 4-6 minutes of polished material per week.


The music writing process is different, but not light years away from writing screenplay.

So maybe we should go a little easier on ourselves about the quantities we generate each week?

"...most writers would agree it's necessary to write non-hits to get to the nuggets. As with athletes, it's important to exercise the writing muscle."

You might also like this set of Ira Glass videos I linked to way back when.


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Saturday, 9 July 2011

Sheffield Childrens Media Conference 2011 #tcmc - Great links for Apps



Here are some useful links that came up at the Sheffield Children's Media Conference 2011 #tcmc...

CHILDREN'S APPS - INNOVATION SHOWCASE: A Tale of Three Apps
3 examples of small companies doing it for themselves, and getting their apps/content out there directly rather than via broadcaster. Or being commissioned by the broadcaster to build the app.



Charles Kriel on Twitter
A Bear Ate All The Brussels Sprouts, Handmade Mother Goose, Pigment's Play Pen



NOSYCROW on twitter

Nosy Crow: The 3-D Three Little Pigs iPad app






TAG GAMES
Doctor Who App

Doctor Who - The Mazes of Time





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Sunday, 15 May 2011

Why FREE works? A Case Study - Sita Sings The Blues

I'm posting this again -- partly because its one of the most useful articles I've watched on the issue of making money from eyeballs vs. scarcity, and mostly because it is one of the articles that has disappeared from the 'search this blog' box at the top of this blog...
(My original post is here...)



Came across this awesome article by Michael Masnick on techdirt:-
"Earlier this year, we wrote about the ridiculous situation that Nina Paley faced in trying to release an amazing film, Sita Sings the Blues.

Basically, some copyright holders of the music used in the film put positively insane terms on the use of their music. This made no sense, considering that the music (from the 1920s) was mostly unlistened to these days -- and the only thing the movie would likely do is increase demand for people to get legitimate versions of the music.

Eventually, Paley worked out a plan to release the film under a Creative Commons license and put in place a business model like the ones we've talked about for years: give away the infinite, sell the scarce.

And apparently, it's working. Pistol points us to a talk that Nina Paley just gave revealing some of the results. You can see the video here (it's a bit over 20 minutes):"
MORE HERE:-
http://www.techdirt.com/articles/20090824/1723375986.shtml


DIY DAYS PHL NINA PALEY TALK VIDEO HERE



"SITA SINGS THE BLUES Distribution Project Report
If it's free, how do you make money?? 5 months after the Creative Commons Share Alike release of her animated musical feature Sita Sings the Blues, Nina Paley presents the first round of hard data from the project.

Contrary to MPAA propaganda, the more the audience freely shares the film, the more they purchase DVDs, theater admissions, and merchandise; witness the $$ numbers that prove it. Nina Paley is the creator of the animated musical feature film Sita Sings the Blues, which has screened in over 150 film festivals and won over 30 international awards including the Annecy Grand Crystal, The IFFLA Grand Jury Prize, and a Gotham Award.

Her adventures in our broken copyright system led her to Copyleft her film, and join QuestionCopyright.org as Artist-in-Residence."

"SITA SINGS THE BLUES" SHOW HOME SITE HERE:-
www.sitasingstheblues.com

"SITA SINGS THE BLUES" YOUTUBE CHANNEL HERE:
http://www.youtube.com/user/drakar7002


Sita Sings the Blues Part 1 / 10




I think Nina Paley's comments are fascinating.
The content is free.
"Containers are not free... And that's what we're selling."

So they earn money from... Donations, Merchandise, and Broadcasting.

Containers related to the content.
NOT from the content itself.

"The more people who get to see the film... the more they will want to buy the film-related stuff."


(Plus, I have never come across the term "Copyleft" before).


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